Rush

Rush - Closer To The Heart guitar tab

#

From ad070@freenet.carleton.ca Thu May 6 10:47:30 1993

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Date: Thu, 6 May 93 10:46:00 EDT

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From: ad070@freenet.carleton.ca (Steve Portigal)

To: ad070@freenet.carleton.ca

Subject: Re: TAB: Closer to the Heart - Rush

Reply-To: ad070@freenet.carleton.ca

Status: O

In a previous article, IFSXM@ASUACAD.BITNET () says:

>

>Guitar tabs to the song "Closer To The Heart"

>Transcription partially by Joe Kung and the rest reproduced from

>Guitar, Oct 1986.

>

>

>

>Intro:

>

>---5-----7-----4-----5-----4---0---

>-----0-----0-----0-----0-----7-----

>-------6-----6-----6-----6-------6-

>-----------------------------------

>-----------------------------------

>-----------------------------------

>

>

>-5-----7-----4-----5-----4---0-----

>---0-----0-----0-----0-----7-------

>-----------6-----6-----6-------6---

>-----7-----------------------------

>-----------------------------------

>-----------------------------------

>[repeat 3 times]

>

>

> G6 D Fmaj7

>--------0-----------0-----------0-----

>------3---3-------3---3-------1---1---

>----4-----------2-----------2-------2-

>--5---------5>4---------4>3---------3-

>--------------------------------------

>--------------------------------------

>

>Asus2 Asus4 A

>----------------------_--0----------

>-0-----4-----0---2---0-2----0--4--2-

>-2-----2-----2--------------2--2--2-

>-2-----2-----2-----2--------2--2--2-

>-0-----0-----0--------------0--0--0-

>------------------------------------

>

>Verse: The first two bars, there's plain rythm on

>guitar:

>A G | D G A | (this lasts until ".. who start. ... to")

>

>5-5-5--5-3--3---3-3-----|

>5-5-5--5-3----3-----3-3-|

>6-6-6--6-4----------4---|

>------------------------|

>------------------------|

>------------------------|

>

>During "Closer To The Heart"

>2-2-------3-------3---

>3-3-2-2-2-3-----3---3-

>2-2-2-2-2-0---0-------

>0-0-2-2-2-0-0---------

>----0-0-0-X-----------

>----------3-----------

>[repeat twice]

>

>Then repeat this once. Now there's a little interlude, with the bells.

>Bells for guitar:

>

>10---------------10------

>---10--8-7-8-10-----10-8-

>11---------------11------

>---11--9-7-9-11-----11-9-

>-------------------------

>-------------------------

>

>Once again a verse, this time by a distorted electric, and then the solo.

>On the studio version there are two guitars. Live, Alex uses a harmonizer

>to emulate this. For a change, the bars are represented here.

>

>Solo:

>10->-(12)-!-|-10-!-|-8-!-|---------------------------------------------

>10->-(12)-!-|-10-!-|-8-!-|---------------------------------------------

>------------|------|-9-!-|---------------------------------------------

>------------|------|-----|---------------------------------------------

>------------|------|-----|---------------------------------------------

>------------|------|-----|---------------------------------------------

>

>(Here, Alex plays all traids in 8th notes. The R is a rest of the same

>length)

>-----------7-R---9-R-10---9-10-12|10-12-14---12-14-15---12-14-15---14-15-17|

>7-R-8---10-------7-R--8----------|-----------------------------------------|

>7-R-7----7-9-R------------9-10-10|11---------------------------------------|

>---------------------------------|-----------------------------------------|

>---------------------------------|-----------------------------------------|

>---------------------------------|-----------------------------------------|

>

>17->-(19)!---17->-(19)--17->-(19)|-17->-(19)-!->-17--12-14-15--------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>

>15->-(17)--15->-(16)--15->-(17)!-|-----------------------------------|

>---------------------------------|-15->-(17)->-15--15--15-!----------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>---------------------------------|-----------------------------------|

>

>-------------------------|-15-14-15-14-15-14-15-14-------------------|

>17->-(19)->-17--17--17-!-|-15-14-15-14-15-14-15-14-------------------|

>-------------------------|-------------------------------------------|

>-------------------------|-------------------------------------------|

>-------------------------|-------------------------------------------|

>-------------------------|-------------------------------------------|

>

>15->-(17)-!-|-----------10-----------|-------------------------------|

>15->-(17)-!-|-10->-(12)-10---10--8-7-|-------------------------------|

>------------|--9->-(11)-------9--7-6-|-9-7-9->-(11)--7!--------------|

>------------|------------------------|-9-7-9->-(11)--7!--------------|

>------------|------------------------|-------------------------------|

>------------|------------------------|-------------------------------|

>

>---------------------------------------------------------------------|

>-_-------------------------------------------------------------------|

>4_0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------|

>4-0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------|

>---------------------------------------------------------------------|

>---------------------------------------------------------------------|

>

>--------3>5-|

>3-3-3-2-4>5-|

>--------5>6-|

>7-7-7-7-----|

>------------|

>------------|

>

>Now there's the interlude, verse and chorus. The fade out is interesting

>enough to display. Chords are displayed above the bars. Lyrics are again

>"Closer To The Heart" on the D - A - G progression.

>D A G

>------------------|-------------------------------|

>3>(5)--3>-(5)->-3-|-3->-(5)--3--3>(5)-3>(5)-3>(5)-|

>5>(7)--5>-(7)->-5-|-5->-(7)--5--5>(7)-5>(7)-5>(7)-|

>------------------|-------------------------------|

>------------------|-------------------------------|

>------------------|-------------------------------|

>

>D A G

>-------------------------------|-------------------------------------|

>3->-(5)--3-3>(5)--3>(5)--3>(5)-|-3>(5)--3-3-3>(5)---X-7--------------|

>5->-(7)--5-5>(7)--5>(7)--5>(7)-|-5>(7)--5-5-5>(7)---X-9--------------|

>-------------------------------|-------------------------------------|

>-------------------------------|-------------------------------------|

>-------------------------------|-------------------------------------|

>D A G

>--------------------|------------------------------------------------|

>7>-(9)-7>-(9)-7-7-!-|-7-7-7-7---7-7-7-7-7----------------------------|

>9>(11)-9>(11)-9-9-!-|-9-9-9-9---9-9-9-9-9--17->-(19)-----------------|

>--------------------|------------------------------------------------|

>--------------------|------------------------------------------------|

>--------------------|------------------------------------------------|

>

>D A G

>--------------------------------|------------------------------------|

>-15--15->(17)->(16)->(17)->(16)-|->(17)->(16)->(17)->(16)->(17)-15-15|

>-----17->(19)->(18)->(19)->(18)-|->(19)->(18)->(19)->(18)->(19)-17-17|

>--------------------------------|------------------------------------|

>--------------------------------|------------------------------------|

>--------------------------------|------------------------------------|

>

>Begin fade

>D A G

>-----------------------------|---------------------------------------

>15->(17)--15->(17)--15-15-15-|-15->(17)-15->(17)-15-15->(17)-15------

>17->(19)--17->(19)--17-17-17-|-17->(19)-17->(19)-17-17->(19)-17------

>-----------------------------|---------------------------------------

>-----------------------------|---------------------------------------

>-----------------------------|---------------------------------------

>

>D A G

>17->(19)!-17->(19)!-17->(19)!-|-17->(19)!-17-17->-(19)!-17->(19)-17->(19)|

>20->(22)!-20->(22)!-20->(22)!-|-20->(22)!-20-20->-(22)!-20->(22)-20->(22)|

>------------------------------|------------------------------------------|

>------------------------------|------------------------------------------|

>------------------------------|------------------------------------------|

>------------------------------|------------------------------------------|

>

>D A G

>17->(19)!-17-17->(19)!-17-17->(19)!-|->(18)->(19)->(18)->(19)-17->(19)!

>20->(22)!-20-20->(22)!-20-20->(22)!-|->(21)->(22)->(21)->(22)-20->(22)!

>------------------------------------|---------------------------------!

>------------------------------------|---------------------------------!

>------------------------------------|---------------------------------!

>------------------------------------|---------------------------------!

>

>17->(19)--17--17->(19)--17--17->(19)-|

>20->(22)--20--20->(22)--20--20->(22)-|

>-------------------------------------|

>-------------------------------------|

>-------------------------------------|

>-------------------------------------|

>

>--

>Legend:

>

>| - A pair of these indicate a part of music, not the usuals bars.

>: - Indicates that a part is to be repeated. This may be ommited, you should

> hear it too.

>_ - Indicates a hammer-on or pull-off (You should know which is appropriate)

>> - Indicates a bend-up or down or a slide. With a bend, the note to bend to

> is between '(' and ')'. Use the whammy for a downbend. With a slide, the

> follow-up note is the one to be slid to.

>! - Indicates vibrato.

>^ - Indicates a tapped harmonic. Is printed below the note.

>. - Under the strings, it indicates the note is staccato (short).

>\ - Indicates a general slide downwards from note, to no note in particular.

>AH - Indicates adding artificial harmonic with pick hand.

>

>----

>For corrections or questions on the tabs, contact the author. If no e-mail

>address is included, contact Frank or Mario, addresses below. Contact Frank

>for guitar tabs, and Mario for bass tabs.

>

>For remarks, suggestions or additions on the tab 'archive', contact:

>

>Frank (guitar) or Mario (bass)

>(schaaphe@serc.nl) (motcid!marble!dalessio@uunet.uu.net)

>

>HAPPY PLAYING!!

>

--

+----------------------------------------------------------------------------+

| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 |

| email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 |

| He's big, he's purple, and he's a huckstering spokesdinosaur! |

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