Rem Up Album  (guitar tab)

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Lotus - Up (Full Album)



AIRPORT MAN





ther posting...the entire song is a droned G#...



Tab for the descending synth riff:



e --8-6---------------

B ------9--8-6--------

G--------------8------





Lyrics:



he moves efficiently

beyond security.

great opportunity awaits.

airport fluorescent

creature of habit

labored breathing and sallow skin

recycled air

moving sidewalks

great opportunity blinks.

great opportunity blinks.

discounted.



the people mover

the people mover

discounted.



-----





Riff:  (from David Wagner - wagner@mindspring.com)

e--13--11------------------------

B------------11------13---------

G--------------------------10-----

D-------------------------------13







LOTUS





Tab from:  Chris Gantner (cgantner@arches.uga.edu)



Main Riff



e|---------------------------------------------------

B|-------------1-0-----------------------------------

G|-----0h2p0--0----0h2p0-----------------------------

D|----------h4----------0-h2-0-0---------------------

A|0------------------------------3-3-2-2-0--------0--

E|-----------------------------------------3^(1/2)---



e|---------------------------------------------------

B|--------1-0-1-3-1-3-3s5-3-3-1-1-0-0----------------

G|0h2p0-------------------------------2-2-0----------

D|-----h4--------------------------------------------

A|------------------------------------------0--------

E|---------------------------------------------------



The rest of the guitar consists of double stops on the e and B strings



e|5-5----3-3-----10-10-----8-8-----------------------

B|5-5----3-3-----10-10-----8-8-----------------------



Repeat these sections as needed



Of course it's always a good idea to listen to the song for the exact

rhythm but this should be fairly close.  



------





Lotus.



| Am | C | G | F |             | Am | C | G | F |

                    Hey, hey,                       Hey, hey 

| Am | C | G | F |             | Am | C | G | F |



          Am         C                G               F

I was hell, sarcastic silver swell, that day it rained

               Am          C               G                      F

Tough spun, hard won,  No, ocean flower aquarium

       Am                 C        G               F

Badlands, give a hand, honey dipt, film flam

        Am          C              G                          F

Hey hey, hey hey, that cat can walk like a big bad man,



Dm                Am      Dm           Am

So happy to show us, I ate the lotus,

Dm                      Am      Em           Dm

Say haven't you noticed? I ate the lotus



Am                           C               G                      F 

Storefront window, I reflect, just last week I was merely heck

 Am                C                 G                  F 

Tip the scale, I was hell, Picked me up, then I fell,

 Am                        C                         G              F 

Who'sthis stranger? Crowbar spine, dot, dot, dot and I feel fine,     

          Am              C     G                      F 

Let it rain, rain, rain, Bring my happy back again,



Dm                Am      Dm           Am

So happy to show us, I ate the lotus,

Dm                      Am      Em           Dm    Em          Dm 

Say haven't you noticed? I ate the lotus   I ate the lotus



| Am | C | G | F |             | Am | C | G | F |



           Am          C     G                         F

Let it rain, rain, rain, Save me from myself again

Am                      C                 G                      F

Wash away my ugly sins, Opposing thumb, dorsal fin

          Am               C                    G                 F 

That monkey died for my grin, Bring my happy back again          

 Am                   C     G                      F 

Let it rain, rain, rain, Bring my happy back again



Dm                Am      Dm           Am

So happy to show us, I ate the lotus,

Dm                      Am      Em           Dm    Em          Dm 

Say haven't you noticed? I ate the lotus   I ate the lotus

 Em            Dm  Em            Dm  Em         Dm

 I ate the lotus, I ate the lotus, I ate the lotus









Lyrics:



hey hey.



I was hell

sarcastic silver swell.

that day it rained

tough spun. hard won. no

ocean flower aquarium

badlands. give a hand.

honey dipt. film flam

hey hey. hey hey.

that cat can walk like a big bad man.



so happy to show us

I ate the lotus.

say haven't yoou noticed?

I ate the lotus



storefront window, I reflect.

just last week I merely heck

tip the scale. I was hell

picked me up, then I fell.

who's this stranger? crowbar spine

...and I feel fine.

let it rain, rain, rain

bring my happy back again.



so happy to show us

I ate the lotus.

say haven't yoou noticed?

I ate the lotus



let it rain, rain, rain

save me from myself again

wash away my ugly sins

opposing thumb, dorsal fin

that monkey died for my grin

bring my happy back again

let it rain, rain, rain

bring my happy back again



so happy to show us

I ate the lotus.

say haven't yoou noticed?

I ate the lotus

I ate the lotus

I ate the lotus









SUSPICION









verse:

G    Bb     G     Bb      G   Bb  G  Bb

now my suspicions on the rise

G    Bb     G     Bb      G   Bb  G  Bb

I have known, I have known your kind.

G             Bb           G     Bb        Bb  G  Bb

please don't talk, don't make me think    order up another drink

G    Bb     G     Bb      G   Bb  G  

let me let imagination drive



pre-chorus:

F                   Dm       G

cant you see I need nothing too deep



chorus:

Am    D      Am       D

imagination  come alive

Am   D      C            D

suspicion, tonight, I'll dream tonight



verse:

listen to the devils in my ear.

tell me what, what I want to hear

youre so funny, youre so fine.

youre so perfect, youre so mine.

that i never had an opportunity  to hide

no I never had a chance



pre-chorus:

cant you see I need nothing too deep



chorus:

imagination  come alive

suspicion, tonight, I'll dream tonight.



bridge:

Bb  Am                     G

              look into my eyes.

Gm               Am

hypnotize the lights, the drinks

F                        G

let the music carry you away



solo:



verse:

my eyes are blurred, my sights are limited

am i sensing a familiar twinge?

no I never had a chance



pre-chorus:

please don't speak, make me think, it's all too deep

    

chorus:

imagination  come alive

suspicion, step down, I'll dream tonight.

step down, I'll dream tonight.

youre so naked baby,  dream, dream, carry you away



-------



CORRECTION





From: david wagner (wagner@mindspring.com)



here's what you've got:

F                Dm          G

can't you see i need nothing too deep

(or something like that)

here's what i think it is:

F (xxx565) Faug5 (xxx665) Dm/F (xxx765) G (open)

can't you see      i need    nothing   too deep

(Faug5:133221 or XXX665)





-----



Here's the guitar solo from Suspicion... it's pretty heavily modulated

so expect me to be off on a few counts.





E----------------------------------------------------------

B----------------------------------------------------------

G----------------------------------------------------------

D-----------------------------12/10\\12---10\\12-10--10/5-5--

A--------------3\\8-8---\\10-8-------------------------------

E--3----6\\8-6----------------------------------------------



E---------------------------------------------------

B-------------------------------------------------8-

G----------------------------------------10-9---7-7-

D-----------------------------12/10\\12--------------

A--------------3\\8-8---\\10-8------------------------

E--3----6\\8-6---------------------------------------



Use slides and vibrato at your own discretion.





----



Updated chords for Suspicion using basics from DJ Allen, with a slight 

variation on his use of G and Bb. I've tried G (320033) and 

G/Bb (x10033) and found it a nice option. You decide.

Also added extra chords at the end of the chorus, which also form the 

repeat at the  end of the song.



I've only added the effected parts of the song here. Repeat througout as 

needed.





Pre-chorus chords:



F    : (xxx565)

Faug5: (xxx665)

Dm/F " (xxx765)



Suspicion





verse:





G   G/Bb    G     G/Bb   G    G/Bb     G      G/Bb

now my suspicions on the rise

G     G/Bb    G     G/Bb       G     G/Bb    G     G/Bb

I have known, I have known your kind

G           G/Bb         G       G/Bb    G    G/Bb   G      G/Bb

please don't talk, don't make me think    order up another drink

G      G/Bb  G  G/Bb   G    G/Bb    (G     G/Bb)?

let me let imagination drive





pre-chorus:





F         Faug5      Dm/F        G

can't you see I need nothing too deep





chorus:



Am   D       Am    D

imagination  come alive

Am   D       C    Bm  G  D     

suspicion, tonight, I'll dream tonight





Bridge:



Bb   Am    C            G

           look into my eyes

Bb            Am

hypnotize the lights, the drinks

F                        G

let the music carry you away





for end chorus, use C Bm G D progression.



----





F                  F(?)         Bmaj7              G

can't you see     I need      nothing too deep.



e-1--------------1------------1--------------3-----

b-1--------------2------------3--------------3-----

g-2--------------2------------2--------------0-----

d-3--------------3------------3--------------0------

a-----------------------------------------------------

e------------------------------------------------------



bridge



Bb Am C  G  Bb Am F



Bb   Am    C                    G               Bb

                  Look into my eyes. they hypnotise.

      Am                       F

the lights, the drinks. let the music carry you away.





----



Suspicion: verse (according to Peter buck himself)

G Gm throughout



Chorus: Am C D/F#m a few times, then C C/B D







F                  F#m(maj7)/Eb      Bmaj7   G

can't you see     I need             nothing too deep.

e-1--------------1-----------------1---------3---

b-1--------------2-----------------3---------3---

g-2--------------2-----------------2---------0---

d-3--------------3-----------------3---------0---a-------------------------

-----------------------e------------------------------------------------



bridgeBb Am C  G  Bb Am F

Bb   Am    C                    G               Bb

                  Look into my eyes. they hypnotise.

      Am                       F

the lights, the drinks. let the music carry you away.









HOPE



C



you want to go out friday

and you go forever

you know that it sounds childish

that you've dreamt of aligators

you hope that we are with you

and you hope you're recognized

you want to go forever

you see it in my eyes

     F

I'm lost in the confusion

and it doesn't seem to matter

     C

you really can't believe it

and you hope it's getting better



you want to trust the doctors

their procedure is the best

but the last try was a failure

and the intern was a mess

and they did the same to Matthew

and he bled 'til sunday night

they're saying don't be frightened

but you're weakened by the sight of it

     F

you lock into a pattern

and you know that it's the last ditch

        C

you're trying to see through it

and it doesn't make sense

              F

but they're saying don't be frightened

and they're killing alligators

             C

and they're hog-tied

and accepting of the struggle



you want to trust religion

and you know it's allegory

but the people who are followers

have written their own story

so you look up to the heavens

and you hope to see a spaceship

and it's something from your childhood

you're thinking don't be frightened



     Em

you want to climb the ladder

you want to see forever

     C

you want to go out friday

and you want to go forever

         F

and you want to cross your dna

                                  C

to cross your dna with something reptile

             F

amd you're questioning the sciences

and questioning religion

         C

you're looking like an idiot

and you no longer care

          F

and you want to bridge the schism,

                         C

a built-in mechanism to protect you

            F

and you're looking for salvation

and you're looking for deliverance

        C

you're looking like an idiot

and you no longer care

you want to climb the ladder

you want to go forever

you want to go out friday

you want to go forever





----



Lyrics:

you want to go out friday

and you want to go forever.

you know that it sounds childish

that you've dreamt of alligators.

you hope that we are with you

and you hope you're recognised

you want to go forever

you see it in my eyes.

I'm lost in the confusion

and it doesn't seem to matter

you really can't believe it

and you hope it's getting better



you want to trust the doctors

their procedure is the best

but the last try was a failure

and the intern was a mess.

and they did the same to Matthew

and he bled 'til sunday night

they're saying don't be frightened

but you're weakened by the sight of it

you lock into a pattern

and you know that it's the last ditch

you're trying to see through it

and it doesn't make sense

but they're saying don't be frightened

and they're killing alligators

and they're hog-tied

and accepting of the struggle



you want to trust religion

and you know it's allegory

but the people who are followers

have written their own story.

so you look up to the heavens

and you hope that it's a spaceship

and it's something from your childhood

you're thinking don't be frightened



you want to climb the ladder

you want to see forever

you want to go out friday

and you want to go forever.

and you want to cross your dna

to cross your dna with something reptile.

and you're questioning the sciences

and questioning religion

you're looking like an idiot

and you no longer care.

and you want bridge the schism,

a built-in mechanism to protect you.

and you're looking for salvation

and you're looking for deliverance

you're looking for deliverance

you're looking like av idiot

and you no longer care.

you want to climb the ladder

you want to see forever.

you want to go out friday

you want to go forever.





----



riff that pete plays over C and Em chords:

B------------8--10---8-------8

G------10----------------10---

D---------------------------------

A---------------------------------

E--8-----------------------------

and the riff that mike plays on the keyboard over the F chords:

e-----------------10----8---7---------8---10

B---------------------------------10-----------

G-----10---------------------------------------

D-10-------------------------------------------

 





From: Trygve Sandven HŠland (trygve@bitcon.no)



AT MY MOST BEAUTIFUL



(Play the G's with (320033) and the C's like (x32013))



F / Am / D / D7

G - F / A#

G - F / A#

G - F / A# - C



(Chorus):

F / Am / D / D7

G       F      A#

  I've found a way to make you

G       F      A#

  I've found a way

G    F      A#   C    F

  a way to make you smile



(Verse):

Am           A#

  I read bad poetry

 G    C       F

into your machine

             Am

I save your messages

A#                   G

  just to hear your voice

    C       F            Am

You always listen carefully

   A#

to awkward rhymes

G     C       F

  You always say your name,

Am               A#

like I wouldn't know it's you,

G               C

at your most beautiful



(Chorus):

(do do do do...)

I've found a way to make you

I've found a way

a way to make you smile



(Verse):

At my most beautiful

I count your eyelashes, secretly

with everyone, whisper I love you

I let you sleep

I know your closed eye watching me,

listening

I thought I saw a smile



(Chorus):

(do do do do...)

I've found a way to make you

I've found a way

a way to make you smile



D+--5---5--+--3---3--+--8---8--+--8--8---+

A+--5---5--+--3---5--+--8---8--+--8--8---+ * 2

E+--3---3--+--5---5--+--6---6--+--6--6---+



D+--5---5--+--3---3--+--8---8--+--10--10--+--3--+

A+--5---5--+--3---5--+--8---8--+--10--10--+--3--+

E+--3---3--+--5---5--+--6---6--+--8---8---+--1--+





-----





At my most beatiful - R.E.M.



One of the many great songs from the new album, I just picked it out, believe it's correct. The bass notes on F/A and Bb/F sound a lot better if played on a real bass and/or a piano, but if you only have a guitar, I guess that's better then nothing...



Chords used: 

F: 133211

Am: x02210

D: xx0232

Gm: 355333

Bb: x13331

C: x35553

(F/A:x03211)

(Bb/F: 113331)



Intro:

F   Am   D    

Gm F/A Bb/F  

Gm F/A Bb/F   

Gm F/A Bb     C  



F   Am   D  



Gm  F/A      Bb/F

I've found a way to make you

Gm F/A       Bb/F

I've found a way

Gm     F/A     Bb     C     

       a way to make you 



F     Am               Bb

smile. I read bad poetry

Gm         F

into your machine

                  Am

I save your messages

Bb                      Gm

just to hear your voice

                   F                 Am

You always listen carefully

    Bb                      Gm     

to awkard rhymes

                   F

You always say your name 

Am                 Bb

like I wouldn't know it's you

    Gm          C         F      Am      D

at your most beatiful



Gm  F/A      Bb/F

I've found a way to make you

Gm F/A       Bb/F

I've found a way

Gm     F/A     Bb     C     

       a way to make you 



F     Am                Bb         Gm

mine. At my most beatiful 

                   F            Am        Bb       Gm     

I count you eyelashes, secretly

                 F                     Am

with every one, whisper I love you

  Bb                Gm

I let you sleep

                      F                               Am

I know you're closed eye watching me

Bb

listening

  Gm          C        F        Am      D

I thought I saw a smile



Gm  F/A      Bb/F

I've found a way to make you

Gm F/A       Bb/F

I've found a way

Gm     F/A     Bb     C     

       a way to make you 

F 

smile.



Gm F/A Bb

Gm F/A Bb

Gm F/A Bb C

F





----



Lyrics:



I've found a way to make you

I've found a way

a way to make you smile



I read bad poetry

into your machine

I save your messages

just to hear your voice.

you always listen carefully

to awkwards rhymes.

you always say your name.

like I woulden't know it's you,

at your most beautiful.



I've found a way to make you

I've found a way

a way to make you smile



at my most beautiful

I count your eyelashes secretly.

with every one, whisper I love you.

I let you sleep.

I know you're closed eye watching me,

listening.

I thought I saw a smile.



I've found a way to make you

I've found a way

a way to make you smile





THE APOLOGIST





From: ROBERT OAG (Ppxrmo@nottingham.ac.uk)



(NOTE: I'm not sure whether the second 'Am' is actually a 'C', as they

both work. So I've put them both in).



INTRO:  | Am/Bm | Am(C)/Bm | Am/Bm | Am(C)/Bm |



          Am      Bm   Am(C) Bm           Am        Bm     Am(C)  Bm

They call me the    apologist,      and now that I'm at peak,

         Am      Bm     Am(C)  Bm      Am  Bm              Am(C)  Bm

You know at first it really hurt, we joke about these things,

       Am      Bm      Am(C)   Bm      Am         Bm     Am(C)  Bm

I've skirted all my differences, but now I'm facing up,

   Am      Bm Am(C)  Bm         Am    Bm     Am(C)  Bm 

I wanted to apologise         for everything I was, So,



C              D             F              G

I'm sorry, So sorry, So sorry, So sorry,

C               D              F           F

I'm sorry, So sorry, So sorry,



Am        Bm    Am(C)    Bm            Am       Bm     Am(C)  Bm 

Did you understand me right? The people here are good.

      Am        Bm     Am(C)         Bm           Am    Bm   Am(C) Bm 

They tell me what I should have done, and offer what I could,

 Am  Bm   Am(C)  Bm     Am   Bm  Am(C)    Bm 

I'm good, all is good,        All's well, no complaints,

 Am      Bm   Am(C) Bm        Am        Bm       Am(C)   Bm 

When I feel regret,               I get down on my knees and pray, 



C                                 D                               

I'm sorry (So sorry), So sorry (So sorry), 

F                                G

So sorry (So sorry), So sorry (So sorry),

 C                              D                                   

I'm sorry (So sorry), So sorry (So sorry),

F                               F

 So sorry (So sorry),



| Am/Bm | Am(C)/Bm | Am/Bm | Am(C)/Bm |



C               D                F                   G

I live a simple life, unfettered by complex sweets,

C                              D                       F            F 

You think this isn't me? Don't be weak, There I go.                 

Am      Bm    Am(C) Bm        Am    Bm   Am(C)     Bm 

I'm so sorry,



Am       Bm     Am(C)   Bm        Am        Bm       Am(C)   Bm 

Thank you for being there for me, thank you for listening, goodbye,



Am       Bm     Am(C)   Bm        Am        Bm       Am(C)   Bm 



Am       Bm     Am(C)  Bm        Am        Bm         Am(C)   Bm      

    I can forfeit selfishness,    I hope for you that you apply,

       Am      Bm    Am(C) Bm        Am        Bm       Am(C)   Bm

This happiness,             This peacefulness. 



C                                 D                              

 I'm sorry (So sorry), So sorry (So sorry),

 F                               G 

So sorry (So sorry), So sorry (So sorry),

 C                              D                                  

I'm sorry (So sorry), So sorry (So sorry), 

F                              F

 So sorry (So sorry),



C               D                F                   G

I live a simple life, unfettered by complex sweets,

C                              D                       F            F

 You think this isn't me? Don't be weak, There I go.                 

Am      Bm    Am(C) Bm        Am        Bm       Am(C)         Bm     

 I'm so sorry,



Am       Bm     Am(C)   Bm        Am        Bm       Am(C)   Bm 

Thank you for being there for me, thank you for listening, goodbye,



Am       Bm     Am(C)   Bm        Am        Bm       Am(C)   Bm 



Am       Bm     Am(C)  Bm        Am        Bm         Am(C)   Bm





------



Solo:





Use finger vibrato on most of the notes..



E---------------------------------------

B---------------------------------------

G--2--4--5---12-11-9/7-9---7-5-5/7-5-4--

D---------------------------------------

A---------------------------------------

E---------------------------------------



E------------------------------------------

B------------------------------------------

G--2--4--5---12-11-9/7-9---7-5-7b-7b-7^5-5- b = bend

D------------------------------------------ ^ = pull-off

A------------------------------------------

E------------------------------------------



then stipe begins singing the "i live a simple life" part, and the solo

continues..



E---------------------------------------------------------------------

B---------------------------------------------------------------------

G--7\\9-7--9-7-10--7--10\\12-12--9-10/----5--7\\9-7---7-10--7--10\\12-12b-

D---------------------------------------------------------------------

A---------------------------------------------------------------------

E---------------------------------------------------------------------



----

THE APOLOGIST



tabbed by miKe. (ericseis@hotmail.com)

[second half of solo from Chris Lawrence]



This is a cool song played mostly by jamming on Am (open or fifth fret).  

Just pile on the distortion and hit single or pairs of strings in the chord

pretty much at random.  As long as you keep the 'feel' of the song you can't go

far wrong.



Near the end of the song, as things lose what little definition they had, just attack 

the Am(V) and interject with little riffs and jams.



Little Riffs:



e|--7-8b-7-5----5----   or      e|--7-8-/11--   perhaps  e|-5-5-5-5-5-5-5---

b|-----------8-(5)---  maybe    b|-----------    this    b|-5-5-5-5-5-5-5---



Am riff: (this is the odd organ backing)

g|--6-8--6/8/6--

d|--7-9--7/9/7--



End riff: (this is the riff that gets played in the final 'bridge')

g|------4--4-5

d|--7--7------



Am

They call me the apologist, and now that I'm at peak,

You know at first it really hurt, we joke about these things,

I've skirted all my differences, but now I'm facing up,

I wanted to apologise for everything I was, so,



C          D         F         G

I'm sorry, So sorry, So sorry, So sorry,

C          D         F           

I'm sorry, So sorry, So sorry,



Am (+Am riff)

Did you understand me right? The people here are good.

They tell me what I should have done, and offer what I could,



[break]

I'm good, all is good, 

All's well, no complaints,



Am (+Am riff)

When I feel regret, I get down on my knees and pray, 



C                     D                               

I'm sorry (So sorry), So sorry (So sorry), 

F                    G

So sorry (So sorry), So sorry (So sorry),

C                     D                                   

I'm sorry (So sorry), So sorry (So sorry),

F                              

So sorry (So sorry),



Solo:

e|---------------------------|---------------5-----------------

b|-------8-7-5---5-----------|-------8-7-5---5-----------------

g|---4-5-------7---7-5-7-5-4-|---4-5-------7---7-5-7b-7b-7p5-5-

d|-7-------------------------|-7-------------------------------



this part is played under the "I live a simple life")



b|-----------------------------------|-----------------------------

g|-7/9-7--9-7-10--7--10/12-12--9-10/-|-5--7/9-7--7-10--7-10/12-12b-

d|-----------------------------------|-----------------------------



C        D           F              G

I live a simple life, unfettered by complex sweets,

C                    D            F 

You think this isn't me? Don't be weak, there I go.                 



Am(V)

I'm so sorry,

Thank you for being there for me, thank you for listening, goodbye,



[with little riffs]

I can forfeit selfishness, I hope for you that you apply   

this happiness, this peacefulness, this peacefulness. 



C                     D                              

I'm sorry (So sorry), So sorry (So sorry),

F                    G 

So sorry (So sorry), So sorry (So sorry),

C                     D                                  

I'm sorry (So sorry), So sorry (So sorry), 

F                              

So sorry (So sorry),



C        D           F              G

I live a simple life, unfettered by complex sweets,

C                    D             F 

You think this isn't me? That's so sweet, there I go.                 



Am(V) (with little riffs and End riffs)

I'm so sorry,

Thank you for being there for me, thank you for listening, goodbye.





[end on picking up through the open Am]





SAD PROFESSOR





Here's the correct version as played by Mike Mills on Rockpalast.



Tuning - some kind of open D.
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\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0\0and plays the root notes, i.e.



   (A)   (F)   (A)   (F)        for the Am F   

E|--5~~~~/1~~~~/5~~~~/1~~~~--   progression     

  and

    (D)   (C)    (D)   (C)      for the D C

E|--10~~~~/8~~~~/10~~~~/8~~~~-- progression



Peter doesn't this all the time during the verses, sometimes he'll just kinda'

slide up and down a string, making eerie noises, while the bass just thumps out:



   (A)              (F)                (A)

E|--5---5---5-5--5---/1---1---1-1---1---/5-   and so on.





Chorus:

The Em - G - D chords are played as normal in the chorus.



And the intro riff twice to end.





WHY NOT SMILE





(Oxford American Version)

From: David Wagner (wagner@mindspring.com)



here are the chords and words to REM's new song from the oxford american

magazine, "why not smile." pretty different from old REM guitar in that

peter buck is fingerpicking and using new (or at least new to me) tricks

with chords -- especially A6 (X02222). at some points, he'll go from A6 to

an A, as if he's playing it like a "sus" chord. it sounds pretty good.

listen to the song, you'll know what i mean. any questions/comments? email

me --  David Wagner (wagner@mindspring.com)



D         D              G   A          

The concrete broke your fall

D             D         G   A6

To hear you speak of it

D               D       G   A

I'd have done anything

D           D        G   A6

I would do anything

     G             A            D    F#m

I'd feel like a cartoon brick wall 

G             A6         D

To hear you speak of it

 G              A   D             D

You've been so sad, it makes me worry

G   A6    D     D

Why not smile? 

G            A         D     D

You've been sad for a while

G   A6    G    A6    D    F#m    

Why not smile? 

G           A6       D     D

I would do anything

G            A       D    D

To hear you speak of it

G   A6   D     D

Why not smile?

G            A         D     D

You've been sad for a while

G            A         G     

You've been sad for a while

 

A6  D  F#m  G ... guitar fades out with same chords as organ comes in



----



Why Not Smile?





Intro:



The intro is synthesisers, but I've found some jingles which, though not right, make an okay sounding intro.



  D     x2        x7

e|-----2-|-----2---|-----2---

b|---3---|-------3-|---------

g|-2-----|---------|---------

d|-------|---0-----|---0-----

a|-------|-0-------|-0-------



then immediately into the first G chord of the main riff.





Main riff:



  D                                G               A

e|---------2---------------2---------------3---------------0---------

b|-------3---3-----------3---3-----------3---3-----------2---2-------

g|-----2-------2-------2-------2-------0-------0-------2-------2-----

d|---0-----------0---0-----------0---0-----------0---2-----------2---

a|-0---------------0---------------2---------------0---------------0-

E|-------------------------------------------------------------------



play this four times and then:



  D                                G               

e|---------2---------------2---------------3-------

b|-------3---3-----------3---3-----------3---3-----

g|-----2-------2-------2-------2-------0-------0---

d|---0-----------0---0-----------0---0-----------0-

a|-0---------------0---------------2---------------

E|-------------------------------------------------



  F#m              G(III)          A

e|---------2---------------3---------------0-------

b|-------2---2-----------3---3-----------2---2-----

g|-----2-------2-------4-------4-------2-------2---

d|---4-----------4---5-----------5---2-----------2-

a|-4---------------5---------------0---------------

E|-------------------------------------------------



and back to that first D chord.





Lyrics:



D                           G           A

The concrete broke your fall

D                           G           A

to hear you speak of it

D                           G           A

I'd have done anything

D                           G           A

I would do anything

D                                G      D       F#m     G       

I feel like a cartoon brick wall

A                       D

To hear you speak of it

G               A

You've been so sad

D

It makes me worry

G   A   D

Why not smile?

G           A          D

You've been sad for a while

G   A   D       G      D     F#m        

Why not smile?

G(III)     A         D

I would do anything

G           A           D

To hear you speak of it

G   A   D

Why not smile?

G           A         D

You've been sad for a while

G           A         D         G   D   F#m     G(III)  A

You've been sad for a while.



Main riff x2 to end.







       Firstly, the tab of the Daysleeper riff as I believe Peter was

playing it on David Letterman:



{--------------------!------------------!--------------------!------------------!}

|-----------8--------|------------8-----|-----------8--------|------------8-----||

|--------9--------0--|-------0----------|--------9--------0--|-------0----------||

|--10---------10-----|--9---------------|--10---------10-----|--9---------------||

|--------------------|------------------|--------------------|------------------||

[--------------------@------------------@--------------------@------------------@]





Intro:

4x      C   Cmaj7



VERSE:

C     Cmaj7      C    Cmaj7

Receiving department, 3 AM

C     Cmaj7      C    Cmaj7

Staff cuts have socked up the overage

C     Cmaj7      C    Cmaj7

Directives are posted No call backs, complaints

C     Cmaj7      C    Cmaj7

Everywhere is calm



VERSE TO CHORUS:

D#                    Dm

Hong Kong is present, Taipei wakes up

F                G

Talk of circadian rhythm



CHORUS:

C         Dm          Am      Em

I see today with a newsprint frame

C         D          G

My night is colored headache-grey

C         Dm          Am       Em

Daysleeper, daysleeper

C         D           G

daysleeper



{Verse Chords}

The bull and the bear are marking their territories

They're leading the blind with their international glories



{Verse to Chorus Chords}

I('m the) screen, the blinding light

I('m the) screen, I work at night



{Chorus Chords}

I see today with a newsprint frame

My night is colored headache-grey

Don't wake me

(You're) so much

Daysleeper



2x Dsus4



BRIDGE:

C      Cmaj7      C       

I cried the other night

C      Cmaj7      C       

I can't even say why

C      Cmaj7      C       

flourescent, flat, caffeine lights

C      Cmaj7      C       

It's furious balancing



{Verse To Chorus Chords}

I('m the) screen, the blinding light

I('m the) screen, I work at night



{Chorus Chords}

I see today with a newsprint frame

My night is colored headache grey

Don't wake me (you're) so much

The ocean machine is set to night

I'll squeeze into heaven and Valentine

My bed is pulling me, gravity, daysleeper

Daysleeper, daysleeper, daysleeper, daysleeper



End on C



-----



Daysleeper by R.E.M





Bb       113331

Bbmaj7   113231

F        133211

G        355411

C        032010

D        000232

Am       002210

E        022100



e-|---3---3---3------------------3----------------------------------

B-|---1---1------0-h-1r--0------------------------------------------

G-|---0---0------------------0--------------------------------------

D-|---2---2---------------------------------------------------------

A-|---3---3---------------------------------------------------------

E-|---0---0---------------------------------------------------------



 (or Cmaj7)



Receiving dept., 3 a.m.



Staff cuts have sucked up the overage



directives are posted.



no callbacks, complaints.



everywhere is calm.





Bb 

Hong Kong is present



Bbmaj7

Taipei awakes



F                     G

all talk of circadian rhythm





C     D            Am        E

I see today with a newsprint fray



C           D       G

my night is colored headache grey



C           D  Am  E

daysleeper



C           D  G

daysleeper 



C          

daysleeper



 (or Cmaj7)



the bull and the bear are marking



their territories.



they're leading the blind with



their international glories.





Bb              Bbmaj7

I'm the screen, the blinding light



F               G

I'm the screen, I work at night





C     D            Am        E

I see today with a newsprint fray



C           D       G

my night is colored headache grey



C     D       Am      E

don't wake me with so much



C

daysleeper.



C

I cried the other night



I can't even say why



fluorescent flat caffeine lights



it's furious balancing





Bb              Bbmaj7

I'm the screen, the blinding light



F               G

I'm the screen, I work at night





C     D            Am        E

I see today with a newsprint fray



C           D       G

my night is colored headache grey



C     D       Am   E   C   D    G

don't wake me with so much. the



C     D       Am        E

ocean machine is set to 9



C                 D          G

I'll squeeze into heaven and valentine



C         D       Am

my bed is pulling me,



E

gravity



C           D Am E

daysleeper. 



C           D G

daysleeper. 



C           D Am E

daysleeper. 



C           D G

daysleeper. 



C           D Am E

daysleeper. 



end with a C





----





{---------------0----!------------------! 

|-----------8------8-|------------8-----| 

|--------9-----------|--0---------------| 

|----10--------------|-------9----------| 

|--------------------|------------------| 

[--------------------@------------------@









DIMINISHED



Transcription by Olen Kirkland (sl377@cc.usu.edu)



/ Bm / F#m /  (x2)

Bm     F#m

     I watched you fall

Bm     F#m

     I think I pushed

Bm                                 F#m

Maybe I'm crazy, maybe diminished, maybe I'm innocent, maybe I'm finished

Bm                             F#m

Maybe I blacked out, how do I, play this?



Em     D       C           

I will give my best today

Em     D      C

I will give myself away

Em     D          C

I have never hurt anything

D           C

Is the jury wavering?

D              C

Do they know I sing?



/ Bm / F#m /  (x2)

Bm                                 F#m

Maybe I'm crazy, maybe diminished, how do I, how do I play this?

Bm                              F#m

Jealous lover, self defense, protective brother, chemical dependance

Bm                                             F#m           

I'll consult the i-ching, I'll consult the
Get 'Rem Up Album' at: amazon.com  sheetmusicplus.com

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