Lacrimosa

Lacrimosa - Satura guitar tab

Date: Thu, 3 Jan 2002 20:32:09 -0800

From: "guillermo gerling"

Subject: l/lacrimosa/satura.tab

TITLE: Satura (Live)

BAND: Lacrimosa

ALBUM: Lacrimosa Live (Original from "Satura" 1993)

MUSICIANS: Tilo Wolff, Anne Nurmi, Jay P, Sascha Gerbig, AC, J K?stner

TRANSCRIBED BY: Guillermo Gerling (lgerling@ironmaiden.com)

^ - hammer on, pull off

b - bend string up

r - release bend

/ - slide up

\ - slide down

~ - vibrato

T - tap

x - struck string

. - play the note and then mute it

< - raising volume

PM - palm mute

AH - Artificial Harmonic

INTRO:

e|-----------------------------------------|

B|-----------------------------------------|

G|--2------7------2------7------2------7---|

D|--2------7------2------7------2------7---|

A|--0------5------0------5------0------5---|

E|-----------------------------------------|

|------------------------------------------|

|------------------------------------------|

|---2------7------7------5---10-----2------|

|---2------7------7------5---10-----2------|

|---0------5------5------3---8------0------|

|------------------------------------------|

VERSES:

|-----------------------------------------------------------------3----------|

|-----------------------------------------------------------------3----------|

|-----------------------------------------------------------------0----------|

|--6------2------6------2------6------2------6------2------7------0------5---|

|--4------0------4------0------4------0------4------0------5------2------3---|

|-----------------------------------------------------------------3----------|

|---------------------------|

|---------------------------|FIG1

|--------5/7-7/9-9/12-12/---|

|----5-3--------------------|

|----3-3-3/5-5/7-7/10-10/---|

|---------------------------|

|-----------------------------------------------|

|-----------------------------------------------|

|-----------------------------------------------|

|-------------------4-----------------------4---|

|--2222222222222222-2------2222222222222222-2---|

|--0000000000000000--------0000000000000000-----|

|----------------------------------------------------------------------|

|----------------------------------------------------------------------|FIG2

|----------------------------------------------------------------------|

|--7------7------2------5---------------------7------7------2------5---|

|--5------5------0------3----2-3-2-0-2-3-2-0--5------5------0------3---|

|----------------------------------------------------------------------|

PM.............

-FIG1 X1

|---------3----3-----------3---3---|

|---------3-----3----------3----3--|

|---------0---0--0---------0--0----|

|--7------0---------7------0-------|

|--5------2---------5------2-------|

|---------3----------------3-------|

-FIG2 X1

-FIG1 X1

|--3------2---------------------------------------|

|--3------3---------------------------------------|

|--0------2------2--------------------------------|

|--0------0------2--------------------------------|

|--2-------------0----2----2----2---2----2----2---|

|--3------------------0-00-0-00-0-0-0-00-0-00-0-0-|

PM .. . .. .. .

|-3------2--------------------------------------|

|-3------3--------------------------------------|

|-0------2------2-------------------------------|

|-0------0------2-------------------------------|

|-2-------------0--------2----2---2----2----2---|

|-3-----------------0000-0-00-0-0-0-00-0-00-0-0-|

PM.. .. . .. .. .

|----------------------------|

|----------------------------|

|----------------------------|

|--7------7------2------5----|

|--5------5------0------3----|

|----------------------------|

-FIG1 X1

INTERLUDE:

-Only bass and keyboards: G-D-A-E X2

-Then:

|-----|----------------------------------------------------------------|

|-----|----------------------------------------------------------------|

|-----|----------------------------------------------------------------|

|-----|---------------------------------7-7---7----7---7-7---7-----7---|--|

|-----|-5-5---5-----5---5-5---5-----5---5-5-5-5--5-5-5-5-5-5-5---5-5-5-| |

|-12/-|-3-3-3-3---3-3-3-3-3-3-3---3-3-3--------------------------------| |FIG3

PM . . . . . . . . . . . |

|

|------------------------------------------------------------------| |X2

|------------------------------------------------------------------| |

|------------------------------------------------------------------|------|

|-2-2---2-----2---2-2---2-----2------------------------------------|

|-0-0-0-0---0-0-0-0-0-0-0---0-0-0-2----2----2---2----2----2---2----|

|---------------------------------0-00-0-00-0-0-0-00-0-00-0-0-0-0--|

PM . . . . . PM .. . .. .. . .

SOLO:

GUITAR1:

|------------------------------------------------------|

|------------------------------------------------------|

|--2------4------2------4------2------7-------------5--|

|--2------4------2------4------2------7------5------5--|

|--0------6------0------6------0------5------5------3--|

|--------------------------------------------3---------|

|---------------------------------------------------------|

|---------------------------------------------------------|

|---------------------------------------------------------|

|---------------------------4------------------------4----|

|------------2---2-----2----2----------2--2-----2----2----|

|-/12/--0000-0---0-000-0----------0000-0--0-000-0---------|

PM.. ... .... ...

GUITAR2:

|----------------------------------------------------------------------|

|-------------------------------------------------8-------------8------|

|------------------------------------7b9---7b9-----7b9r7^5--7b9--7b9~--|

|--/7~-----/11~-----/7~-----/11~---------------------------------------|

|----------------------------------------------------------------------|

|----------------------------------------------------------------------|

|----------------------------------------------------------------------|

|----------AH------------------------------------------------------AH--|

|------7---5~------------------------------------------------------5~--|

|--5^7---7-------5-------------------------AH------------5---5---5-----|

|-------------------765-5-5/3/5--5-5b6b5-0-3---0-3/5-5/7---7---7-------|

|----------------------------------------------------------------------|

PM PM. . . .

|-------------------------------------------|

|-------------------------------------------|

|--5-7b9~--7b9r7^5--7b9r7b9r7b9r7b9r7b9~----|

|-------------------------------------------|

|----------------------------------------7/-|

|-------------------------------------------|

|---------------------------------------------------------------|

|--------------------------------------------AH---------8-------|

|------9---7----9b10~r9-7-9-----7-9b10r9^7-9-7---5-7bb9--7b9-/--|

|--7/9---9------------------------------------------------------|

|---------------------------------------------------------------|

|---------------------------------------------------------------|

|-------15------------------------------15------------------|

|--15b17--15b17~---b17-b17r15^13---15b17--15b17~-b17r15^13--|

|-----------------------------------------------------------|

|-----------------------------------------------------------|

|-----------------------------------------------------------|

|-----------------------------------------------------------|

|--------20-------------22b24-b24~~-|

|--20b22---20b22--b22r20------------|

|-----------------------------------|

|-----------------------------------|

|-----------------------------------|

|-----------------------------------|

-FIG2 X1

-FIG1 X1

-Only bass and keyboards: G-D-A-E X2

-FIG3 X4

END:

|--------------------------------------------------------------|

|--------------------------------------------------------------|

|----------------------------------------------------------2---|

|--2----2----2---2----2----2---2----2----2---2----2----2---2---|

|--0-00-0-00-0-0-0-00-0-00-0-0-0-00-0-00-0-0-0-00-0-00-0-0-0---|

|--------------------------------------------------------------|

PM .. . .. .. . .. .. . .. .. .

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