Jt

Jt - Minstrel In The Gallery guitar tab

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#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

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From: tarvydas@turing.toronto.edu (Paul Tarvydas)

Date: 19 Jul 95 19:22:14 GMT

Subject: CRD: Jethro Tull, Minstrel in the Gallery (acoustic)

Minstrel in the Gallery acoustic portion

Ian Anderson

(transcribed by Paul Tarvydas tarvydas@tsctrl.guild.org)

capo 2nd fret

all chords relative to capo

/ = down strum

\\ = up strum

o = all strings open (if preceding Dsus2, then strings 1-4 open,

if preceding A, then strings 1-5 open, if preceding G, then 1-6

open)

note: The last line "the friends he'd made" is a typical Andersonian

chord-morph. You should play with the fingering until you find

a combination which moves the fewest fingers at one time. Anderson

likes to keep one finger planted and change the chords around it. In

this case, I think he does the following. He plants the 3rd finger of

the left hand as he changes from Dm to A7sus4. Am to C, he plants the

1st finger. C to Cadd9 he lifts the 3rd and places 2nd on the 6th

string, keeping the 1st and 4th fingers planted.

A Asus4 Am A7sus4 C Cadd9/F# Dsus2 Dsus4 Dm

-|--0-----0-----0-----0-----0-----0--------0-----3-----1-

-|--2-----3-----1-----3-----1-----1--------3-----3-----3-

-|--2-----2-----2-----0-----0-----0--------2-----2-----2-

-|--2-----2-----2-----2-----2-----0--------0-----0-----0-

-|--0-----0-----0-----0-----3-----3----------------------

-|--------------------------3-----2----------------------

F G o-Dsus2 o-A o-G

-|--1-----3--------0--0-----0--0-----0--3----------------

-|--1-----3--------0--3-----0--2-----0--3----------------

-|--2-----0--------0--2-----0--2-----0--0----------------

-|--3-----0--------0--0-----0--2-----0--0----------------

-|--3-----2-----------------0--0-----0--2----------------

-|--1-----3--------------------------0--3----------------

/ / / / \\

A Am C o Dsus2

The minstrel in the gallery

/ / / \\

A Dsus2 o A

looked down upon the smiling faces.

/ / / / / \\

F C F F o G

He met the gazes - observed the spaces

/ / /\\ / \\

Dsus2 o A

between the old men's cackle.

/ / / / / \\

A Am C o Dsus2

He brewed a song of love and hatred -

/ /\\/ /\\/ /\\/

G

/ / / \\

G Dsus2 o A

oblique suggestions and he waited.

F C F G C

He polarized the pumpkin eaters -

F C F G C

static-humming panel-beaters -

F C F G C

freshly day-glow'd factory cheaters

F C F G C

(salaried and collar-scrubbing).

A Am C o Dsus2

He titillated men-of-action -

F C F F o G

belly warming, hands still rubbing

G Dsus2 o A

on the parts they never mention.

A Am C o Dsus2 G

He pacified the nappy-suffering,

G Dsus2 Dsus4 o A

infant-bleating one-line jokers -

F C F G C

T.V. documentary makers

F C F G C

(overfed and undertakers).

A Am C o Dsus2

Sunday paper backgammon players -

F C F C

family-scarred and women-haters.

F C F G C

Then he called the band down to the the stage

F C

and he looked at all

Dm A7sus4 Am C Cadd9/F# F

the friends he'd made.

(tr.) (tr.)

A Asus4

[eof]

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