Hedges Michael

Hedges Michael - Silent Anticipations guitar tab

Death by Guitar: (or "Silent Anticipations" by Michael Hedges)

(butchered transcription intuited by Scott Edgar)

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Line numbers at far left; string tuning shown for all strings

h = harmonic s = stringslap (generic punishment, no precision

H = hammer-on S = bodysmack /necessary:just get that bass])

p = pulloff to < = downslide

= upslide

r = righthand Tuning from standard: tune the low E down two

l = lefthand frets to a D and the B string up one fret to

ro= rightover a C. That's all:)

lo= leftover

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) I N T R O (

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E---12h----12-->--14--14--14-->--15--15--15-------12h--12-->--

C---12h-------------------7h----------------------12h---------

0G---12h-------------------7h----------------------12h---------

1D---12h-------------------7h----------------------12h---------

A---12h-------------------7h------------------s0--------------

D----0--------------------0-------------------s0--------------

E-(>)-14--14--14--14--14--p--10--12--12--p--10--p--8--p--7----

C-------------7h----------------------------------------------

0G-------------7h----------------------------------------------

2D-------------7h----------------------------------------------

A-------------7h----------------------------------------------

D-------------0-----------------------------------------------

E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------

C--------------0----------------3h-----------------H2->-3--14--

C--p--0------------------------------------------4h-----------

0G--------H2->-4--4--4---4h-----------

D------------------------------------------------0------------

E-p-7-H9--9--p-7-p-5--14-14--p-12-H14->-15--15----------------

C---------7h-------------12h----------------7h----------------

0G---------7h-------------12h----------------7h---*breath]*----

5D---------7h-------------12h----------------7h----------------

A---------7h-------------12h----------------7h----------------

D-------------------------0-----------------------------------

E------12h---------------7h-------------------------5h--------

C------12h---------------7h-------------------------5h--------

0G------12h---------------7h-------------------------5h--------

6D------12h-loH10----10--3-->--10--3-->--10--p--0--1-->--3--------------

A--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------

D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------

This also repeats about three times, then follows another line 09,

then another set of these, and then...oh, eventually a crash'n'burn

variation on line 06 with lots of offkey harmonics, screeching to a

halt with a ferocious hammer-on over the neck with the left hand

on a 333000 chord, after which collapse from oxygen depletion is in

order, and makes a touching finale.

* * * * ** * * ** ** *

So...let's see where I can further confuse the issue....

Line 03: the 3h is an octave up from the 7h and sounds wonderful,

if it can be coaxed into being. All those initial harmonic chords

are nice slightly arpeggiated, although just a fist-impact (*POW]*)

will do as well.

Line 05: the X7h7h7h7h15 is indeed a bit of a stretch, so I

often use the other harmonic node (don't ask at which fret, my

hyperoctaves aren't too great) which involves a flamenco-style

right-handed strum with the heel of the thumb brushing the

strings at the requisite fret to get the harmonic. It's about

fret 18 or 20 or something; two before the hole on my machine.

Line 06: the harmonics can also be arpeggiated; he does them

both ways, since that line more or less crops up more than once.

Line 07: He accompanies the slap against the body with a

short strum, or something. It comes out slightly different when

I play it; too much intuition fluxing it up, I guess. He frets the

slide from lo3 to pulloff to the 12h (or whatever sounds good; I

do it a bit differently, and this may not be exact...prob'ly ain't)

with his left index finger over the neck, then hits the 555555

from under the neck as a regular chord.

Line 08: The lo3's (and following slides later on) are fretted

over the neck with the left thumb. Most of the overneck hammer-ons

are pinch-hit with the left index and thumb.

Line 10: All the 333000's preceeding a slide to 10's are fretted

over the neck with the left thumb. Get ready for the smoke to fly;

I still can't play this fast enough. I think he must oil his strings:)

Painstakingly handcrafted by

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