Andrew Bird

Andrew Bird - Tables And Chairs guitar tab

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Tables and Chairs - Andrew Bird

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Tabbed by: rvaen

Email: webmaster at tabs-database.com.com

the glory of this song is not in the guitar, but in the singing along. beautiful,

song. Of course, I recommend listening to the song to make sense of this tab. Nothing

for listening to the artist.

Tuning: standard

riff 1 D

e|---------------2-----------------------------------------------------------------|

B|--------------3------------------------------------------------------------------|

G|-------------2-------------------------------------------------------------------|

D|--4--4--5--0---------------------------------------------------------------------|

A|---------------------------------------------------------------------------------|

E|---------------------------------------------------------------------------------|

riff 2

Em G

e|---------------------------------------------------------------------------------|

B|---------------------------------------------------------------------------------|

G|---------------------------------------------------------------------------------|

D|-2-----------0-------------------------------------------------------------------|

A|----2------2---------------------------------------------------------------------|

E|------0-3------------------------------------------------------------------------|

riff 3

D G9 kinda. or Dsus/G

e|---2-----2--------------------------------------------------------------------------|

B|---3-----3--------------------------------------------------------------------------|

G|---2-----0--------------------------------------------------------------------------|

D|-0-------0--------------------------------------------------------------------------|

A|------------------------------------------------------------------------------------|

E|-------3----------------------------------------------------------------------------|

riff 4

D D A# A D D A# A D

e|---2-3-5---2-3-5-6-5-3-2-0-3-2-0-2-3-5-----0-2-3-2-0-----6-5------|

B|---3-------3---------------------3-------3-----------3-2-----2-3--|

G|-----------------------------------------2------------------------|

D|-0-------0-----------------------0-----0--------------------------|

A|------------------------------------------------------------------|

E|------------------------------------------------------------------|

Here are the two different progressions that occur after riff 4:

D A# A D DM7 Bm G

e|-2---0--0---|-2---2---2---3------------------------------------------------------------|

B|-3---3--2---|-3---2---3---0------------------------------------------------------------|

G|-2---3--2---|-2---2---4---0------------------------------------------------------------|

D|-0---3--2---|-0---0---4---0------------------------------------------------------------|

A|-----0--0---|---------2---2------------------------------------------------------------|

E|--------------------------3------------------------------------------------------------|

NOTE: i am unsure of which type of DM7 and G he uses. it may just as easily be:

D DM7 Bm G

e|-2--2---2--3---------------------------------------------------------------------|

B|-3--3---3--3---------------------------------------------------------------------|

G|-2--2---4--4---------------------------------------------------------------------|

D|-0--0---4--5---------------------------------------------------------------------|

A|----4---2--5---------------------------------------------------------------------|

E|-----------3---------------------------------------------------------------------|

in this scenario, the DM7 is a tad trickier, but sounds better, i think.

I wrote out the G as a bar chord because i can't tell from the recording which he uses,

they both work equally well.

| / slide up

| \\ slide down

| h hammer-on

| p pull-off

| ~ vibrato

| + harmonic

| x Mute note

[1]

if we can call them friends we can call them on red telephones

[1]

and they won't pretend that they're too busy or they're not alone

[2]

if we can call them friends we can call

[2]

holler at 'em down these hallowed halls

[2]

but we can't let the human factor fail to be a factor at all

[3]

don't

don't you worry

[3]

about the atmosphere

or any sudden pressure change

[3]

'cause I know

that it's starting

[3]

to get warm in here

and things are

[3]

starting to get strange

[3]

and did you

did you see how

[3]

all our friends were there

drinkin' roses from the can

[3]

how

how I wish I

[3]

I had talked to them

and wished they

[3]

fit into my plan

[riff 4]

D A# A D

and we were tired of being mild

A# A

oh so tired of being mild

A# A

we were so tired

D DM7

I know we're gonna meet someday in the crumbled financial institutions of

Bm G

this land

D

there will be tables and chairs

DM7 Bm

pony rides and dancing bears

G

there'll even be a band

D DM7

'cause listen after the fall there'll be no more countries

Bm G

no currencies at all

D

we're gonna live on our wits

DM7

throw away survival kits

Bm G

trade butterfly knives for adderal

D

and that's not all

DM7

woah!

Bm G

there will be snacks, there will

D DM7 Bm G

there will be snacks!

[riff 4]

D A# A D

and we were tired of being mild

A# A

oh so tired of being mild

A# A

we were so tired

D DM7

So don't you

Bm

don't you worry

G

about the atmosphere

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